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Writer/
Librettist

Highlights

"Visionary and Hyper-Charged"

Opera Going Toronto

Whether creating text and poetry through the culling of interviews, or else via diving into rows of bankers’ boxes filled with court transcripts, the documentary genre continues to energize me as a writer and theatre maker. 

I love working with composers.  It is a collaboration that continues to be among the most rewarding and inspiring:

The shared conversations and play between us.  

Writing less. 

Feeling the music in a word or a phrase as I write.

Nuance flowing in a vowel.

The hair on the back of my neck when hearing the words dance and soar through the air.

So, How it's Been?

So, How's It Been_ .jpg

I found this show simple, moving and intimate, with an honest connection forged between the artists and audience.

J.Kelly Globe and Mail

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Produced by Here for Now Theatre. Summer 2021 

Written, directed and co-created by Liza Balkan

Composed and co-created by: Paul Shilton

Additional compositions by Katherine Wheatley and Bruce Horak.

Photo by York Lane Channel .

 

L-R Marcus Nance. Barb Fulton, Evangelia Kambites, Trevor Patt. Paul Shilton 

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J. Kelly NESTRUCK REVIEW Globe and Mail August 2021.

 

So, how’s it been? is a new song cycle about life in Stratford during the pandemic. The lyrics are based on interviews Liza Balkan conducted with the cast and other local residents; Paul Shilton composed the music (with assists from Katherine Wheatley and Bruce Horak).

The performers – Marcus Nance, Barb Fulton, Trevor Patt and Evangelia Kambites – talk about their own lives and tell the stories of others during the pandemic, both in the songs and while introducing them.

I found this show simple, moving and intimate, with an honest connection forged between the artists and audience.


 

Karen Fricker

"So, How's It Been?" is a warm and subtly layered musical window into the experiences of many residents of Stratford during the COVID pandemic. It's remarkable how many stories and perspectives Liza Balkan and her collaborators have been able to include in a 90-minute-show without it ever feeling rushed or over-stuffed. There are welcome funny moments and some harder-hitting material, most notably performers Marcus Nance and Evangelia Kambites' personal reflections on being Black in Stratford. It brought great pleasure and comfort to see the show in a beautiful outdoor setting in the summer of 2021, with a local audience recognizing many of the names and references. I think that the material could also resonate outside of Stratford, as a sort of musical time capsule of a unique, unforgettable period in peoples' lives. 



 

 Lynn Slotkin 

So, how’s it been? is a beautifully crafted show. 

Liza Balkan, writer-director-Stratford resident began a project in the summer of 2020, interviewing people who live and work in Stratford to see how they were doing in the pandemic. She interviewed business owners, employees, artists, nurses, retirees, kids, farmers, actors, and parents. Then she and composer-musical director Paul Shilton put those words from the conversations into songs.

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Gould's Wall

Lauren Pearl, Roger Honeywell and Jennifer Tung _ Gould's Wall _ Tapestry Opera _ Photo by

Photos by Dahlia Katz

"Visionary and Hyper-Charged"

Opera Going Toronto

Composer: Brian Current

Librettist: Liza Balkan

Director: Philip Akin

Produced by Tapestry New Opera/Maniac Star/Royal Conservatory of Music/21CFestival

Cast: Lauren Pearl, Roger Honeywell and Keith Klassen, Andrea Ludwig, Alice Malakhov, Caitlin Wood, Justin Welsh.

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7 Dora Mavor Moore Award Nominations including:

Outstanding New Opera & Outstanding Production 2022

 

Reviews â€‹

Globe and Mail

The site-specific charmer is a meditation on the rigour of artistic creation, set to a nimble dynamic score by Brian Current that empathizes, dazzles and sometimes threatens vertigo. An untraditional spectacle that celebrates an icon while bridging past and present…staged 18 metres in the air.

 

Barcza Blog

Dazzling

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Schmopera

Let’s hope we don’t have to wait another three years to see this. Opera Ramblings Beautifully executed.

 

Opera Going Toronto

Visionary and hyper-charged.

A soaring 3D ballet-opera of convention-defying proportions

 

Links for more information: Tapestry Opera/Gould's Wall

Glen Gould Foundation interview

Behind the scenes

Out the Window (2018)

Cut and Paste Job.jpg

"A Powerful Piece of Documentary Theatre."

Glen Sumi

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Luminato Festival June 2018

Produced by The Theatre Centre and Luminato 

Written/created by Liza Balkan

Additional material by the company.

Directed by Sarah Garton Stanley

Assoc. Director: Tanisha Tate

Scenography: Trevor Schwellnuss

Costumes Ming Wong

Sound: Nicholas Murray

Design Coordinator: Frank Donato  

Stage Manager: Sandy Plunkett

Cast:

Sarah Kitz RH Thomson, David Ferry, Brett Donohue, Peyson Rock, Richard Lee, James Graham

Live Artist: Syrus Marcus Ware

Music: LAL

Photos by Kyle Purcell

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Reviews 2018

 NOW  - Glenn Sumi NNNN

A Powerful Piece of Documentary Theatre

in development from 2007 gets a new, beautifully produced iteration for Luminato.

Balkan’s look at memory, making art, mental illness and police violence and the court system should be essential viewing for anyone interested in these issues.

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Out The Window Script/Scirocco Drama

Out The Window /Interview/JG Shillingford Publishing Inc

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Mooney on Theatre -Karen Seeley

Out of the ugly incident comes the beauty that is Out The Window.

The first part of the play gets you thinking about what happened and asking yourself why someone who actually witnessed something can end up questioning themselves.

The second part asks you to consider taking action. 

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after the Fires insta.jpeg

elegiac and lyrical”
                                                                           Opera Ramblings Jan.23 
 

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Composer : Lembit Beecher

Text: Liza Balkan

World Premiere produced by Brooklyn Art Song Society, New York.

May, 2022.

Canadian Premiere produced by RCM/Koerner Hall/21C Music Festival. Toronto.

January 2023.

 

21C Credits:

Xin Wang, Soprano

Andrea Ludwig, Mezzo-soprano

Korin Thomas - Smith, Baritone.

Zachary Gassenheimer, Clarinet

Henry From, Piano.

After the Fires 

 

Reviews ​​

Opera Ramblings Jan. ’23.

“ elegiac and lyrical” 

 " It’s very “text first”.  Although the accompaniment is often intricate it never overpowers the words and there’s a real harmony between words and music."

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LudwigVan/Michael Schulman

The words of the seven songs poignantly describe the residents’ panicked decisions about what to take with them, the precious things lost along with their homes and, finally, their hopes for renewal and fears of recurrence.

After the Fires; Song.
Sung by Sasha Cooke

Out the Window (2012)

Left to Right Zahir Gilani,Jason Siks, Julie Tepperman, Brett Donahue Photographer- Abhish

"Balkan spreads a wide net that examines the police, The SIU, our mental health care system, accountability and the shifting nature of memory ."

John Kaplan, Now

Theatre Centre March 2012
Co – produced by The Window Collective and The Theatre Centre 

 Written and directed by Liza Balkan

Assoc. Director: Shari Hollett

Scenography: Trevor Schwellnuss

Lighting: Michelle Ramsay

Sound: Thomas Ryder Payne

Costume:  Bojana Stancic

Stage manager: Billy Wolf

On Line Resource - The Brain: Aislinn Rose

Photography by Abishek Chandra

Cast: 

Julie Tepperman, RH Thomson David Ferry, Matt Murray, Brett Donahue, Zahir Gilani, Jason Siks, Nadeem Umar Khitab, Andrew Ferguson

 

Reviews​

Sound Bites: Paula Citron

The beauty of this play is the absence of a linear line. 

Balkan as a playwright is very unpredictable.

Let’s hope that someone picks up this play for a long run
 

Robert Cushman/National Post

Engrossing…Well worth Catching

 

Jon Kaplan NOW 

Balkan spreads a wide net that examines the police, The SIU, our mental health care system, accountability and the shifting nature of memory 

Out The Window has a raw, powerful quality that distinguishes it from most other theatre: It will leave you with questions rather than answers.

 

Mooney on Theatre

Edge of your seat stuff

This is art that heals and transforms.

The talent on stage is exceptional. Balkan’s  long hard work is extraordinary.

 

Lynn Slotkin

An important piece of theatre. It should be seen.

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OTW Playwrights Guild CanPlay.pdf.

Other Works

Video credits: Mary Bonhag

Looking at Spring: Meditations on Aging
A song cycle.

Looking at Spring was commissioned and premiered by  Scrag Mountain Music at First Light Studios in Randolph, VT, May 2014. 

And produced by Brooklyn Art Song Society,  Brooklyn,NY.

June 2024.

 

Press

…hauntingly lyrical, with its imaginative and well-crafted blending of harmonically complex sounds. The more jocular “Nobody Dies Anymore” has an infectious Ravel-like colorful anarchy to it.

– Jim Lowe, June 1, 2014

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(What Rhymes with)Azimuth

Composer: Ivan Barbotin

Text: Liza Balkan

 Tapestry Opera  - Lib/Lab

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